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Céline Dion pose nue


Changement de cap dans la communication de Céline Dion? La star semble vouloir imposer une image plus sexy et pour se faire, elle n'a pas hésité à poser nue pour le très select magazine Vogue.


Par Chloé Grondin - Publié le Mercredi 5 Juillet 2017 à 07:49 | Lu 3412 fois

Céline Dion pose nue
Le coeur de Paris bat au rythme des défilés haute couture dont le très attendu défilé Dior cette semaine. Le magazine de mode a voulu entrer dans l'univers de la chanteuse québécoise, surfant sur sa passion pour la mode, et le moins que l'on puisse dire c'est que la star a joué le jeu.

Céline Dion va surprendre ses fans avec ce shooting pour le magazine Vogue. Elle n'a pas hésité à poser nue... Une grande première pour elle à 49 ans. Le magazine a partagé les clichés de la photographe Sophia Li sur son compte Instagram : buzz garanti!

 

Here's a little naked fact to ponder while Celine Dion changes looks between shows: for the past five years she has worn haute couture near exclusively for her own performances (in Las Vegas and on her current "mini-tour" of Europe). She performs a minimum two hours a night, five or six nights a week, dancing and curtseying and generally gesticulating sans abandon, in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Celine's orders, the houses send teams to Nevada for typically three fittings, before the garments are ultimately finished in her local, private atelier. Armani Prive, Schiaparelli, Giambattista Valli, Versace...only a partial list. Everyone, basically. In Vegas, Velcro panels are added to allow for her ribcage to expand or for a quick outfit change. Micro straps of elasticized chiffon prevent a slit from becoming a sloppy situation mid-squat. Shoes—always heels, never platforms—are ordered one size smaller (she is normally a 38) and refitted with metal shanks. Says Celine, "We have to make haute couture industrial." And, more enigmatically: "The clothes follow me; I do not follow the clothes." Which is to say: the haute couture, with all its fragility and handcraft, has to perform professionally for Ms. Dion. And privately as well. Years ago, Celine bought a classic little black dress from the Christian Dior atelier when the house was overseen by John Galliano. It is simple, falling to mid calf, and narrow as can be with just a hint of stretch. It requires a minimum of jewelry, a statement bracelet or perhaps one of the major diamond rings she designed with her late husband Rene Angelil: two pear cuts set in a wide pave band, or two hearts of diamond and emerald abstractly interlocking, on a cushion of yet more diamonds. This LBD forces you to walk one foot in front of the other. This is a dress Celine knows well and clearly loves, the simplest evocation of the private luxury of couture and the total antithesis of the red carpet hoopla that attends the union of fashion and celebrity. It is also the dress she wore to Rene's funeral. #CelineTakesCouture Photo by @sophfei.

Une publication partagée par Vogue (@voguemagazine) le


 

Celine Dion doesn't try to hide her feelings. Her candor is one of her many charms, coupled with lovely manners and an emotional transparency that's unique in anyone (let alone a global popstar for over 30 years). Last year at the haute couture show for Giambattista Valli, she sang, clapped, oohed and cooed, before ultimately going backstage post-show to weep with Giamba and his mama. "No one else was applauding," she recalls slightly sheepishly as she waits to enter the Petit Palais for this summer's Valli catwalk. She is joined by a featured dancer in her European show by the name of Pepe Munoz. Pepe is a Spaniard, originally from Malaga; he is also a budding fashion illustrator (@pepemunozillustrations). Celine was introduced to Pepe by Las Vegas show folks she knows through her butler's wife, who is a dancer herself. ("All the people I meet," says Dion of her Vegas social life, "are acrobats, dancers, or divers. That's family.") Now the two are fast pals, inseparable onstage (her in a jeweled, super-heroic unitard, him in his basic helpless hotness) and off. And so when, this season, Celine decides to express her exuberant enthusiasm for Valli's work it is by making flamenco hand signals to Pepe, who is across the aisle, and his front row neighbors, actress Rossy de Palma and the esteemed Spanish choreographer Blanca Li. And there are far too many runway winners to count. A delicate tiny floral tee-shirt of fully embroidered tulle worn with a collar or harness of black pailettes. Ball dresses of chantilly lace, pleated tulle, or broderie anglais, cut high in the front, trained in the back. This is a full-on Celine show in every sense. Celine's hands are twirling; Pepe's hands are Voguing; Rossy is inexplicably doing scissor kicks.... The models (the lucky ones!) are gliding by in ballet shoes, but the dancing is all going down in the seats. When it ends, Pepe is in tears. Blanca is in heaven. And Celine is saying that next year, if she is on tour in Europe, she will ask to have the whole week of the shows off from performing. "But they won't let me," she laughs, "for fear I will spend too much money!" #CelineTakesCouture Photographed by @denisetruscello.

Une publication partagée par Vogue (@voguemagazine) le